![]() The old single layer coatings deliver lower contrast images, and gorgeous lens flares. Low chromatic aberration for such an old lens are a rare thing, plus it has minimal focus breathing. This lens is parfocal, sharp on center, with subtle fall-off towards the corners. It was released in 1959, and was incredibly advanced for its time. ![]() The Voigtländer Zoomar 36-82mm T3.1 is one of the best era zoom ever designed for commercial still photography for the 135 format (Full Frame 36x24mm). All the lenses from Apollo series shares 14 round-blades circular apertures. It features standard pitch module of 0.8. They allow the focus ring to be really smooth, and feature a rotation of 270°. ![]() The Focus ring mechanics are a cam based design. The original (Gottschalk) design means that the minimum focus point of the lens is closer than 1ft, eliminating the need of diopters. The Apollo lenses are amazing for steadicams, gimbals, and handheld work. The optics are much smaller than a front variable diopters design system – which means – they are lighter weight, with less chromatic aberrations, and have better light transmission. That’s the beauty of this focusing system. With that system, whilst focusing from infinity to the close point, the image stretches only in a vertical direction (vertical breath), the horizontal axis stays locked. One of the main features of the Apollo is the anti-mump system created in 1954 by Mr. It is optimised for distortion correction, plus it offers gorgeous flares and character, lots for a modern anamorphic. They also come in with a resume, being Zoe White ACS personal set for years. These lenses offer a unique vintage character. They all have matching 95mm fronts and matching gear positions. Close focus has been greatly improved on all of the lenses. The focus throw is now 330 degrees and buttery smooth. They have reliable, repeatable mechanics. This is possibly the largest, most complete rehoused set of Lomo Super Speeds in the world. They have an incredible organic personality, they flare easily and in a very beautiful way. Stop down slightly and contrast and sharpness increases dramatically. Wide open they are low-contrast, flattering, they offer a unique bokeh and highlights bloom. These were the highest performing lenses being made in the USSR, and their performance is still impressive today. ![]() 1970s, 1980s Russian cinema lenses, designed to cover the Super 35mm format. ![]()
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